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This is the fifth in a series of longform electronic improvisations. Using the sampler for experimentation is at best an unholy venture. The scientifically oriented musician doubtless has higher intentions (or so he thinks) than the mere rock guitarist, but both follow, in part, the same course, and whichever one finds himself last in the race for the prize probably regards his competitor’s work as unwarrantable desecration. [34:27]