• Mood Engineering Society

    Apart from a great title for this piece, it was also an artistic collective active in Amsterdam from roughly 1962 to 1964, associated with the Fluxus movement. The Mood Engineering Society was founded by artist and promoter Willem de Ridder to create performances and events that integrated music, theatre, and visual art. [05:11]

  • Transmission08 Rapsodia Satanica (Italy, 1915) OST
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    This is the eighth in a series of longform electronic improvisations. It was recorded as an alternative soundtrack for the silent Italian movie Rapsodia Satanica (1915). [47:36]

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  • Textural bliss
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    Recorded during one of those cozy livingroom moments. Forty-eight minutes of textural bliss, periodically punctuated by faux tubular bells [48:33].

  • 2026.1.16llrec19.26.16_01.wav

    First try with PPOOLL software. Coming late to this party. It already exists since 1998, and kept in tip-top shape by a group of enthousiasts. Mysterious UI & aesthetics and a steep learning curve. Yet another rabbithole…[03:38]

  • Sifting through the ashes
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    Sitting down with Westerkamp during shabbes, to sift through the ashes of the past week and have a pleasant modular conversation. Excerpt. [05:00]. The whole experience can be consumed here.

  • Transmission07
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    This is the seventh in a series of longform electronic improvisations. [54:50]

  • (Don’t eat the) Yellow Snow

    Loops, various effects [13:14]

  • Transmission06 L’Inferno (Italy, 1911) OST
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    This is the sixth in a series of longform electronic improvisations. It was recorded as an alternative soundtrack for the silent Italian movie L’Inferno (1911) [64:40]

    (more…)
  • Pan

    “These last few days I have been thinking of the Nordland summer, with its endless day. Sitting here thinking of that, and of a hut I lived in, and of the woods behind the hut.” [Pan, Knut Hamsun][02:33]

  • Transmission05
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    This is the fifth in a series of longform electronic improvisations. Using the sampler for experimentation is at best an unholy venture. The scientifically oriented musician doubtless has higher intentions (or so he thinks) than the mere rock guitarist, but both follow, in part, the same course, and whichever one finds himself last in the race for the prize probably regards his competitor’s work as unwarrantable desecration. [34:27]

  • Auf Abwegen

    Part loop, part another loop, part echo. [04:40]

  • Transmission04
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    This is the fourth in a series of longform electronic improvisations. (That is: not really electronic, in the “German” sound synthesis spirit. It’s more the old French way of using recorded sounds). Soundbits and loops. Loops and soundbits. [44:58]

  • The Tortured Artist Syndrome

    In a study, 38 students were shown an image of van Gogh’s Sunflowers. Half of those students were informed that the artist is suspected of heavily mutilating his own body, while the other half were not given this information. They were then asked to give an evaluation of the painting. “As predicted,” the researchers wrote in the paper, “the art was evaluated more positively when van Gogh’s eccentric behavior was mentioned.” [03:59}

  • The little people in the dishwasher
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    After some processing the sound of the dishwasher, it seems to come alive. The plates are jealous and gossiping about the higher placed cups and glasses, and the cutlery is having strong opinions as well. Or is it the little people inside complaining about doing our dirty work? [03:32]

  • Tatort [HD cleanup]
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    Loose tracks and fragments that ended up somewhere between Ambientolia and Glitchistan, by way of Electricity and Texturehausen. Eating a hearty lunch in Cafe Freedom atm.[37:28]

  • Disintegrating

    Years ago, Catastrophe theory in mathematics, which proposes that seemingly random and uncontrollable events arise according to a calculable pattern, was a thing. As we near the end of yet another geopolitically chaotic year, nobody will worry about a little extra chaos. [05:32}

  • Transmission03
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    This is the third in a series of longform electronic improvisations. They are more or less exercises to train the impossible – but much needed – skill of not touching any knobs and levers, or as little as possible; the art of leaning back and enjoying.[38:33]

  • Dim past

    Upon reading the fantastic “On the Threshold of Beauty: Philips and the Origins of Electronic Music in the Netherlands 1925-1965” by Kees Tazelaar, I have been listening to Dick Raaijmakers a lot lately. Demanding at times, but mandatory… The book also recalibrated my view on this adventurous and influential Dutch brand, that is/was far from dull and generic.[04:16]